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Boris Groys is a philosopher, essayist, art critic, media theorist, and an internationally acclaimed expert on late-Soviet postmodern art and literature, as well as on the Russian avant-garde. Dr. Groys’s writing engages the wildly disparate traditions of French poststructuralism and modern Russian philosophy.
In the 1970s, Dr. Groys, who had studied philosophy and mathematics at Leningrad State University, immersed himself in the unofficial cultural scene in Russia’s capitals, coining the term “Moscow conceptualism.” From 1976-1981, he held a position as a Research Fellow in the Department of Structural and Applied Linguistics at Moscow State University, and in 1981, Dr. Groys emigrated to West Germany, where he earned his Ph.D. in Philosophy at the University of Müenster.
In the United States, he is best known as the author of The Total Art of Stalin. This work is credited for introducing Western readers to Russian postmodernist writers. His philosophical writing includes A Philosopher’s Diary, On the New: A Study of Cultural Economics, and The Invention of Russia, while his contributions to art theory and criticism can be found in Vanishing Point Moscow and The Art of Installation. His most recent books are Under Suspicion: A Phenomenology of the Media and Ilya Kabakov. The Man Who Flew into Space from his Apartment (Afterall/MIT Press, 2006). Dr. Groys has also edited collections of articles in Russian and German and has written more than a hundred articles. Since 1994, in addition to serving as the curator and organizer of numerous international art exhibitions and conferences, Dr. Groys has been a Professor of Aesthetics, Art History, and Media Theory at the Center for Art and Media Technology in Karlsruhe.
The Medium Religion
as author at MIT World Series: The Max Wasserman Forum on Contemporary Art,